Monólogo

for Spoken Voice
Composed on January 2015 but premiered with Núria Vinyals Roca on the 4th of December of 2018 in HfMT-Köln.

Video recording

monologofoto

“Monólogo” is a brief piece for solo spoken voice. In “Monólogo” I tried to focus in sound aspects of the spoken voice, and avoiding the meaning of any word or language.

That is a topic that began in this work remain very strongly on my own aesthetics for the moment: the spoken voice (sound , rhythm, theatricality, …).

They are not talking about us

for Wind Orchestra, Strings, Choir and Soprano

On a text by Emilio Lledó Iñigo

Commission by Miquel Rodrigo. Dedicated to Miquel Rodrigo, Llanos Martinez and Elena Ruiz
Premiered 30th November 2015 – Miquel Rodrigo conducting Csma’s Sinfonietta, María de los Llanos and Coro de Cámara del Csma – Zaragoza, Mozart Concert hall. “Ciclo conciertos de Otoño”

Concerts: 1.12.2015 (Zaragoza, Auditorio Eduardo del Pueyo, Miquel Rodrigo conducting Csma’s Sinfonietta, María de los Llanos and Coro de Cámara del Csma); 06.05.2017 (Segovia, Vicente Uñón conducting Ensemble TMC, Mónica Luz)
https://www.youtube.com/watch?v=71e-TyxnXNI

 

“They are not talking about us” was the biggest piece I composed during my Composition studies. It is based on texts by the Spanish philosopher Emilio Lledó which I took and reorder to create a new structure. The piece is about a land which had a dark past and now has no hope, despite the times might be better. In this work the use of the voice in the instrumental ensemble was an important topic, such as the aim of creating theatrical geastures.

Never there

Talking to Macbeth

for Oboe d’amore
Commission by Colectivo E_7.2. Dedicated to Pilar Fontalba, Juan José Eslava and Pablo Ramos
Premiered 10th November 2015 – Pilar Fontalba – Pamplona, Gayarre Theatre, “Ciclo After Cage”

Also performed in Donosti, Salamanca and Zaragoza

 

“Never there. Talking to Macbeth” emerges from a spoken voice, who pronounces words. the meaning of these words disappears; the rhythm and the unique sound of the voice is what we are going to hear in this work.  The irregular –but natural– rhythm that is produced unconsciously when we read, think or talk.

This time the voice, the oboe, reads Macbeth in a intimate and close way.

Untitled Shapes

for Soprano saxophone, video and tape

work in collaboration with Alba Font and Martí Llavina (VLA Collective)

Commission by Joan Jordi Oliver Arcos
Premiere: 20th May 2015 – Joan Jordi Oliver Arcos – Wien, Hochschule für Musik

Concerts: June/July 2015 (Campos, Art nit), September 2015 (Zaragoza, Radical dB Festival), April 2017 (Zürich), May 2017 (Mallorca, Fundación Pilar i Joan Miró),… always performed by Joan Jordi Oliver.

 

untitled-foto

In this work we play between the ideas of figurative and abstractedness in human perception. This duality is represented in the visual medium as in the sound medium, reproducing images and sounds that can be recognisable or abstract to us.
¿Is it useful to try to understand the meaning of what is abstract?

¿Is it possible not to recognise what is figurative?

In 2014 Helena Cánovas Parés (composer), Alba Font Villar (audio-visual designer) and Martí Llavina Costa (graduated in media and communication) founded VLA Colletive to create together works where image converges with sound. In each piece, these three artists work simultaneously in collaboration in order to develop all the possibilities and combinations that image and sound can offer.

Aún dormimos

Diferencias sobre pasado y presente

for Mixed Choir
Commission by the Government of Aragón. Dedicated to Elena Ruiz Ortega and Coro de Cámara del Csma.
Premiered 19th April 2015 – Coro de Cámara del Csma – Alfranca’s Palace
Recording: https://www.youtube.com/watch?v=OA7j2xafbwU

“Aún dormimos. Diferencias sobre pasado y presente” was the first work in which I explored and included theatrical geastures. The piece is about the character of ‘don Quijote’, as it was a commission to celebrate the 200 anniversary of Cervantes’ second book.

Noche oscura

(introduction, transitions and finale)
for Chamber Ensemble and speaker

Co-work in collaboration with Rodrigo Ortiz, Diego Jiménez, Carolina Cerezo and Adrián García. Commission by OCAZ-Enigma.
Based on the homonymous poem by San Juan de la Cruz
Premiered 13th April 2015 – OCAZ Enigma and Rafael Campos – Zaragoza, Luis Galve Concert hall

Flute – Fernando Gómez
Oboe – Javier Belda
Clarinet – Emilio Ferrando
Horn – Amadeo Catalá
Piano – Juan Carlos Segura
Violin – Víctor Parra
Viola – Carlos Seco
Violoncello – Zsolt G. Tottzer
Double Bass – Esteve Colomés
Reciter – Rafael Campos
Conductor – Juan José Olives

video recording

groc i boira finestra

(fog and window yellow)

World premiere in Zaragoza, Eduardo del Pueyo Concert Hall, on 19th of January of 2015.
G Flute: Marta Gómez
Viola: Carolina Uriz
Piano: Sandra Lanuza
Conducting: Helena Cánovas

audio recording

groc-i-boira-foto

This brief work comes from “Si tus penas no pruevo” by Francisco Guerrero (1528-1599). I tried to start out with his incredible piece and work with its sound, its estructure, its feeling,… not only by quotation; but, nevertheless, not forgetting where I came from.